Contemporary Figurative Painting

Rooted in Old Master discipline, material intelligence and presence.

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A Practice of Discipline and Presence

Working in oil and egg tempera, Edwin IJpeij builds paintings through a slow layered process informed by early Netherlandish technique. The work does not imitate the Old Masters, but takes their discipline seriously within a contemporary approach to presence, dignity and the human figure.

 

→ The Practice

Mater Vitae

A painting first received before it circulated as an image.


Mater Vitae is a contemporary figurative painting built from Old Master discipline and material awareness. It was first received under conditions of attention: one person at a time, no cameras, no hurry.

 

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Selected Presentations

Masters Expo, Amsterdam
Art Nocturne Knokke, Knokke-Heist

 

Full exhibition history available upon request

On the female figure

"The figure is not treated as effect, but as presence."

 

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Recent Concentration

Mater Vitae

Detail

First received one person at a time, without cameras or hurry.
The first encounter was protected before the image was released.

Girl With The Mysterious Eyes

Earlier Figurative Work

The figure is approached not as effect, but as presence.

Fumus Vitae

Detail

A work from an earlier chapter, where sensuality gives way to stillness, restraint and presence.

Edwin IJpeij works in oil and egg tempera. His paintings are built layer by layer, with attention to material, surface and the presence of the figure.