Photography
In this chamber of the laboratorio, light touches skin and does not let go.
Bodies appear as whispers rather than declarations; veiled, intimate, almost dissolving back into shadow. What remains on the paper is not a pose, but an afterimage of presence.
Working with hand-coated palladiotypes, cyanotypes and other slow, alchemical processes, I let chemistry record what the eye cannot hold: the warmth of skin, the breath between two movements, the silent charge of the sacred feminine. Each print is fragile and luminous, as if it remembers the touch that created it.
Nothing here is repeatable.
Every piece is a singular relic of a moment that will not return; sensual, devout, and made to be discovered up close. If one of these quiet apparitions calls to you, a private viewing can be arranged.
Shades of Blue Collection
Imagine a world where the body is never weighed, measured or compared, only witnessed.
Where skin, scars and softness are not corrected, but cherished. Where every curve, angle and quiet imperfection is allowed to breathe.
In Shades of Blue, each figure appears as a tender apparition: half-veiled, half-revealed, held in a spectrum of blue that softens judgment and sharpens empathy. These are not idealised bodies, but living ones, vulnerable, dignified, unashamed.
Here, diversity is not a statement, but a presence.
Every body, every story, every soul is given room to exist without defence.
The question that lingers is simple and disarming:
If we could see ourselves this way, gently, truthfully, without shame, how different might our world feel?
Sensual Amuses Collection
A series of small, exquisite temptations. Elegant, playful, and unapologetically erotic.
Sensual Amuses brings together the allure of the femme fatale and the intimacy of dining. Caviar, langoustine, oysters and crab become more than delicacies; they are invitations, carefully placed, turning the body into a living tableau of appetite and suggestion.
Nothing here is loud or vulgar. The pleasure lies in the tension between what is seen and what is withheld, in the quiet moment before touch, in the gaze that lingers a little too long. Each image is a whispered dare: how close are you willing to come to your own desire?
Step into this discrete theatre of taste and temptation, where pleasure and art briefly become the same language.
Sensual in the City Maastricht Collection
In Sensual in the City Maastricht an almost nude female figure moves through the historic fabric of the city. In squares, alleys and streets that have been defined by others for centuries, she appears with quiet self possession, present in places where the body is usually concealed. The city becomes both her setting and her counterweight.
The series explores how vulnerability and authority can coexist in public space. The female figure is not an object for passing glances but a self aware presence that returns the gaze. The interplay of architecture, light, stone and skin turns each scene into a brief constellation of intimacy in the open.
Each photograph is a first state of an image that later returns as a painting. In the paintings the atmosphere thickens, the gesture slows and the charge of the moment unfolds further. Together they form a diptych of immediacy and recollection, of what passes and what remains.
A Muse in Bed
A Muse in Bed unfolds in the quiet glow of a room where the bed becomes both setting and accomplice. The same muse appears again and again, yet never quite the same. Sometimes she stretches into the light, sometimes she retreats into shadow, always inhabiting that charged space between comfort and invitation.
The camera lingers on details rather than declarations. The curve of a hip against the sheets, a bare shoulder turning away, fingers resting for a moment that lasts longer than it should. What is revealed is always balanced by what remains hidden, so that desire sits in the pause, the glance, the fold of fabric that almost covers and almost slips.
A Muse in Bed
In A Muse in Bed the muse does not wait to be looked at, she invites the gaze and plays with it. From the safety of rumpled sheets she moves between languid ease and deliberate provocation, fully aware of the power she holds over the camera.
Each image feels like a moment in an ongoing seduction. A half turn, a bare limb, the hint of a smile that never fully gives itself away. The series becomes a quiet duel between artist and muse in which she seems to lead, drawing the lens closer while keeping one secret part of herself just out of reach.